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Best bass tuner12/17/2023 Rick’s notes: Great sound overall, fantastic reliability, and extremely user friendly controls. If, for some odd reason, you don’t require 800 watts, there’s a 250 watt and a 550 watt version, too. The EQ is set to boost or cut frequencies, and of course the DI out can be set pre or post. There’s a built-in tuner on the front of the unit, as well as a Mute switch so you can tune in silence. Otherwise, controls include Gain, a four-band EQ, and a Master volume. Of course, it’s TonePrint, so you can edit them extensively on your computer first to get a completely customized sound. The TonePrint slots allow you to load up octave, compression, drive, chorus, flange, and vibrato effects. Utilizing their Switch-3 pedal, you can switch them on or off separately. The real key to this is the two TonePrint slots, which are independently adjustable with the two knobs on the right. Both this version and the original version can be found used on Reverb, sometimes for a considerable savings.įind more Darkglass Microtubes 900 information and reviews here.īorn from the BG250 we included on our best bass combo amps post, this 800-watt head brings all of TC’s technological advances into the compact bass head game. See The Bass Channel demo for an overview of all it can do. If you want something for driven sounds, go for the Alpha-Omega 900 instead. Very easy to use interface, choosing between the vintage series preamp and the more aggressive Mircotubes preamp. Rick’s notes: Large spectrum of sounds in this head, from smooth vintage tone to modern sounds. On the back panel, there are switches for 2/4 ohms, Post and Pre EQ and Ground Lift for the DI out, Footswitch in, FX send and return, Aux In, Headphone out with independent volume control, MIDI input, USB input, and a Cab Select for three cabinet impulse response emulations for the DI out. A switch on the front of the amp enables it, but really, you’ll want the switch. As a matter of fact, this is controllable with the Intelligent Footswitch from Darkglass for that express purpose. If you were to replicate this on a pedalboard, it’d be like changing amp channels and stepping on a boost and a compressor all at once. This section is controlled with Comp, Drive, Level, Tone, and Blend knobs. You can use this section for heavy drive, light breakup, and anything in between. The rest of the controls modify the Microtubes Engine, which Darkglass calls an ‘extra channel.’ Effectively, this channel allows you to dial in a usable combination of compression, drive, and EQ that pushes you out ahead of a mix. There’s also a switch for matching Passive or Active pickups, and of course a Master volume knob and a Mute button. The Gain knob is further governed by the VMT/B3K switch, which selects between a modern percussive sound (B3K) and a warmer vintage tone (VMT). The Gain knob adjusts the pre-EQ volume and gives you flexibility between totally clean and a bit of breakup. This is the second version, which upgrades what was formerly a four-band EQ with a six-band EQ with LED-lit sliders. Partly that’s down to the exceptional quality of their gear, while the other part is evident in this very unit. Darkglass have been on a tear of late, releasing a spate of excellent pedals, amps, and cabs and finding a home with many bassists where previously there lived vintage gear.
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